{"id":12071,"date":"2021-04-14T22:07:34","date_gmt":"2021-04-14T20:07:34","guid":{"rendered":"https:\/\/nova.agraart.pl\/?page_id=12071"},"modified":"2022-05-20T14:32:12","modified_gmt":"2022-05-20T12:32:12","slug":"informacje-o-giclee","status":"publish","type":"page","link":"https:\/\/nova.agraart.pl\/en\/informacje-o-giclee\/","title":{"rendered":"Giclee"},"content":{"rendered":"
\n\t
\n\t\t\n\t\t
\n\t\t\t
\"\"<\/div>\n\t\t<\/figure>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
<\/span><\/div><\/div><\/div><\/div><\/div>
<\/span><\/span><\/span><\/span>\n<\/div><\/div><\/div><\/div><\/div>
\n\t
\n\t\t
\n\t\t\t
GRAPHICS, OR ART FOR MANY<\/h5>\n

To start with, a simple example: Jacek Yerka is able to create 8 acrylic paintings in one year. So he will only make 8 collectors happy, while many others would like to have his works. The originals are unique, and because of the prices, not everyone interested in Yerka's work can afford them.
\nFor this reason, especially well-known and recognized artists create graphic editions of their works - that is, series of reproductions of original works. These series have a controlled and limited circulation. The advantage is the price - they are many times cheaper than the original. The disadvantage - lack of uniqueness - each copy of the edition is identical.<\/p>\n

GICLEE = INCOGRAPHY = ART PRINT<\/h5>\n

Gicl\u00e9e (from French to squirt) is the name of a graphic technique that involves a high-quality print of a reproduction of an artist's work. This print should be made based on a high-resolution electronic file of the work.<\/p>\n

We often come across the term: gicl\u00e9e is simply a computer print. Theoretically, yes, but\u2026<\/p>\n

QUALITY<\/h5>\n

Gicl\u00e9e, (also called in Poland inkography) are printed on specialist equipment (printer, plotter) using high-quality pigments (paints) that do not fade over time. Special paper is also used for printing, resistant to colour change and absorbing paints. <\/strong>High file resolution used for printing ensures maximum color reproduction.
\nMore information about gicl\u00e9e<\/a>.<\/p>\n

Gicl\u00e9e by Jacek Yerka and Maksymilian Nov\u00e1k-Zemplinski<\/em> are printed with 8-color HP Vivera ink on Hahnemule German Etching 310g paper. <\/em>Source files are 300 dpi resolution at 1:1 size to the original.<\/em><\/p>\n

ARTIST PARTICIPATION<\/h5>\n

The printer prints, but the Artist supervises and corrects the color consistency with the original work. When creating a new edition, the creator participates in evaluating the test prints and makes corrections to the intensity of the pigment colors in the printing machine or in the source file. This is sometimes a laborious and laborious process, requiring many attempts.<\/p>\n

When a new image comes in, a special high-resolution image is taken in the graphic studio with a PhaseOne camera. The digital file is then corrected by the Artist, and the final step is the trial and error process of proofs.<\/em><\/p>\n

EDITIONS (PRINTS)<\/h5>\n

Editions and numbering sometimes raise a lot of controversy. In the past, with typical graphic techniques such as lithography or copperplate, the edition and order of works were of great importance due to quality. In the process of printing copies of lithography, the lithographic plate was worn out, so the quality of the first prints was definitely better than those from the end of the edition. Currently, with inkjet prints, the quality of copies is constant, regardless of the numbering and order.<\/p>\n

While in the past, numbering was important in terms of quality and this justified the difference in the price of the first prints, today it is mainly used for circulation control and record-keeping.<\/p>\n

CIRCULATION AND SIZE<\/h5>\n

Editions based on the same source image may be repeated, but must be clearly distinguishable from each other. For example, a gicl\u00e9e made from the Desert Island painting has two editions of 9 and 19 copies. One is larger than the other by about 20%. It may therefore happen that we encounter two copies with similar numbering (e.g. 2\/9 and 2\/19) with the same design, but differing in size.<\/p>\n

YERKA, NOVAK-ZEMPLI\u0143SKI \u2013 QPRINT, AGRA-ART<\/h5>\n

Since 2008, Agra-Art has represented Jacek Yerka on an exclusive basis. This also applies to the creation and sale of graphic editions. Since 2020, Maksymilian Nov\u00e1k-Zempli\u0144ski has also joined us in the field of creating and distributing graphics..<\/em><\/p>\n

Gicl\u00e9e and certificates are printed by a graphic studio Qprint<\/a>, which also maintains records using its own computer system. Since 2020, Qprint has also been taking specialist photos of original images to use for graphic editing. Using specialist software, each copy of the graphic has a unique code, certificate and hologram (identical on the work and the certificate). More about certificates (Qprint).<\/a><\/p>\n

Jacek Yerka's gicl\u00e9es are hand-signed by the author, who also hand-writes the title, copy number and edition on the unprinted part.<\/em><\/p>\n

\"\"<\/p>\n

JACEK YERKA \u2013 HISTORICAL AND CURRENT EDITIONS<\/h5>\n

The beginning of gicl\u00e9e creation is closely connected with the development of inkjet printing technology, i.e. it falls in the 90s of the 20th century. Jacek Yerka, after returning from the USA at the beginning of the decade 1990, began his first experiments with artistic printing techniques, perfecting the execution and the method of edition control over the following years.<\/p>\n

The following editions of graphics authorized by Jacek Yerka are available on the market:<\/em><\/p>\n

    \n
  • \n
      \n
    • offset graphics (including Don't slam the door<\/em>, Paradise in the yard<\/em>), signed in pencil, edition of 275 copies,<\/li>\n
    • 2 posters (based on Attack in the morning<\/em> and Cowan City<\/em>) in an edition of 500 copies (some signed). The posters were distributed in the USA by the Morpheus gallery from Nevada,<\/li>\n
    • first edition gicl\u00e9e 9 pieces \u2013 signed and titled, without assigned certificates,<\/li>\n
    • gicl\u00e9e edition of 19 pieces \u2013 signed and titled, with certificates and holograms, printed by Qprint,<\/li>\n
    • gicl\u00e9e edition of 50 pieces \u2013 signed and titled, with certificates and holograms, printed by Qprint (different designs than edition 19). This edition can be recognized by the size of the shorter side \u2013 it should be 54 cm,<\/li>\n
    • gicl\u00e9e edition of 50 \u201csupersized\u201d (designs exhausted by previous editions: Bibliotama, Erozja) \u2013 signed and titled, with certificates and holograms, printed by Qprint. Shorter side dimension: 66 cm;<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n
      M. NOVAK-ZEMPLI\u0143SKI \u2013 EDITIONS<\/h5>\n
        \n
      • Currently available are editions in a print run of 19 printed in 2020.<\/li>\n<\/ul>\n
        TOMASZ KOSTECKI \u2013 EDITIONS<\/h5>\n
          \n
        • Currently available are editions in a print run of 50, printed in 2022.<\/li>\n<\/ul>\n\n\t\t<\/div>\n\t<\/div>\n<\/div><\/div><\/div><\/div>
          <\/span><\/div><\/div><\/div><\/div><\/div>\n<\/div>","protected":false},"excerpt":{"rendered":"GRAFIKI, CZYLI SZTUKA DLA WIELU Na pocz\u0105tek prosty przyk\u0142ad: Jacek Yerka jest w stanie stworzy\u0107 8 obraz\u00f3w akrylowych w ci\u0105gu [...]","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/page-sidebar.php","meta":{"site-sidebar-layout":"no-sidebar","site-content-layout":"plain-container","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"disabled","footer-sml-layout":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-12071","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/pages\/12071","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/comments?post=12071"}],"version-history":[{"count":0,"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/pages\/12071\/revisions"}],"wp:attachment":[{"href":"https:\/\/nova.agraart.pl\/en\/wp-json\/wp\/v2\/media?parent=12071"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}